Doubt
Design Process Notes

Portland Stage Company

director: Sally Wood
sets: Daniel Bilodeau    lights: Lynne Chase
costumes: Susan E. Picinich    sound: Stephen Swift

Beautiful Simplicity

The Church

Director Sally Wood envisioned a look of light streaming into the church through high windows for this location.

A picture is worth a 1000 words.

Father Flynn sermonizes in light from a high church window

There is a bit of theatrical "cheating" going on here. Father Flynn himself is actually being lit from window templates coming from both sides.

The Office

We posited that the office was in the city, so there would be large institutional windows on the outside walls of Sister Aloysius' office.

Sister Aloysius angrily stares out her window

Sister Aloysius is actually looking out of her window. The mullion from the gobo is visible crossing her chest. When this wagon rolled onstage during the scene transition, several window templates were visible.

The Garden

We conceived the garden as chilly with bare trees.

The garden was chilly with bare trees

Tree templates were used to suggest bare trees, to give the scene some texture and to suggest a chill in the air.

Though each of these scenes had a beauty of its own, the greatest beauty of this show, visually speaking, cannot be captured in pictures. During the scene transitions, the office and/or garden wagon moved through the arches with actors riding them. They moved through window or tree templates so that the performers were passing through dappled light. Captivating. It gave the show additional character.

To see more show photos, please visit the Doubt gallery page.

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